Category Archives: Comics Reviews

A Review of Project Superpowers, Vol. 1

Any time a popular hero or villain is killed off in a comic book, you know they’ll be back.  You don’t know how, why, or when, but you know it will happen eventually.  Unsurprisingly, there’s a legal reason behind all of this.  If a character goes unused for a long enough stretch of time, that character may end up in the public domain.  Characters in the public domain can be used by anyone for nearly any purpose.

In the modern era, big publishers are well aware of this and have legal teams to police their intellectual property.  That’s why Jean Grey is always appearing in Cyclops’ and Wolverine’s fever dreams even though she’s been dead since 2005 (assuming Phoenix Endsong is in canon, if not she was killed by Xorn in 2003).  But back in the Golden Age, the public considered the products of the comics companies to be little more than vulgar pulp fun, and many of the smaller publishers folded and allowed their characters to lapse into the public domain.  That’s where Project Superpowers comes in by reintroducing characters originally used by Fox Comics, Crestwood Publications, and Nedor Comics to a new generation.

The story opens on an old man who was once the Fighting Yank, a patriotic-themed hero, who is directed at evil by the ghost of his ancestor, a soldier who fought in the Revolutionary War.  He is quickly visited by another apparition, the American Spirit, who has bad news regarding the direction that the Fighting Yank had gotten from his phantom companion in his younger years.

In the closing days of World War 2, Fighting Yank and his allies came across Pandora’s Box.  Being an otherworldly object, Yank’s ghost tells him that Hope has decayed in these “modern” times and is no longer in the box.  His solution is for all the heroes to sacrifice themselves to the box because they represent Hope.  However, when Yank conveys this to the team, they quickly shut the idea down.  Sacrificing themselves after earning their victory on the say-so of a guy who may speak to ghosts or may simply be schizophrenic is just too tenuous for the high cost.  Undeterred, the Yank spends the next years secretly hunting the heroes down and trapping them inside the box which explains why we haven’t seen any books with these characters in the last 50 years.

Although originally billed as a way to prevent World War 3, the American Spirit reveals that trapping the heroes in the box (which is actually an urn) was actually a plan to take them off the board so the United States could become the dictatorship that the heroes were fighting against in the Big One.  As the Yank realizes his mistake, the old man sets off to free the heroes with the help of the two phantasms.

There’s a ton of reasons to love this book.  Alex Ross’s covers are phenomenal, seeming to combine modern photo-realistic art with Golden Age flair.  Carlos Paul’s interior art is always clear and attractive and has an oil painting-like quality that seems inspired by the Ross covers.  Jim Krueger’s writing on the series helps introduce all the main characters in an organic way.

I’m definitely picking up the second, and final, volume of Project Superpowers based on the strength of this trade.  Lucky for me if I’m still not satisfied there are multiple solo spinoffs such as The Black Terror, Masquerade, The Owl, and the Death-Defying ‘Devil.

Final rating (out of 5):

5 of 5 star rating

Nostalgia Corner Presents: A Look at the Marvel Color Books

For years, I have loved the collaboration of 2 of the great names in comics: Jeph Loeb and Tim Sale.  They have worked together on so many great titles such as BATMAN: THE LONG HALLOWEEN, BATMAN: HAUNTED KNIGHT, BATMAN: DARK VICTORY, and CATWOMAN: WHEN IN ROME…  These are obviously for DC Comics but they have also made books together with Marvel Comics that I like to call the “color books.”  No, it doesn’t mean that you can get some crayons or markers and stay between the lines.  The premise is that they take classic heroes and well-known stories and fill in the details of the events.  Confusing?  I’ll explain with each title in a bit.  With Marvel, Loeb and Sale have done such titles as DAREDEVIL: YELLOW, SPIDER-MAN: BLUE, HULK: GREY, and the upcoming CAPTAIN AMERICA: WHITE.  These are some of the most well-known and best stories about these characters that have ever been written.

Loeb’s words and Sale’s art are a beautiful match.  The art reminds me a bit of memories and it makes the books feel like you’re seeing the stories the way the characters remember it.  I have been a fan of Tim Sale’s since I came across it well over a decade ago.  There is a simple-complexity in his art that lets you focus on the panel but not pull you out of the story.

I’ll start with CAPTAIN AMERICA: WHITE because, well, it hasn’t been released yet.  Only the “0” issue had been released back in 2008 as a preview issue of the series before the actual run.  It was to be based on a time when Cap and Bucky were fighting ze Nazis in WWII before he became a cap-sicle.  The book was listed as being “worked on” and it seemed like it was going well until suddenly…it was canceled.  There was no real reason as to why Marvel scrapped it but I think it may have been when comic sales and Captain America especially was in a lull.  The film IRON MAN was releasing in the same year and this is when Marvel Studios blew up.  Fast forward some years later and now Cap is everywhere.  So this series will be released in September 2015 and we shall see how it happens.

This is my second favorite out of these books.  It’s about Matt Murdock in the red Daredevil costume, swinging around New York and reminiscing about Karen Page.  She was one of his great loves and had such strong feelings for her.  In his memories, it was back to when he was in the classic yellow outfit, still a little green but making a name for himself.  It’s a sweet story and shows a side of how Matt was struggling with having feelings for Karen, being a hero, and also being a civilian.

5 of 5 star rating




This is a great story but when it was released, I didn’t know how it fit in with these books.  It was the only one that wasn’t a story about tough emotions and focused on Bruce telling Doc Samson how he felt right after the gamma bomb incident.  The only part that was superb was when they threw Iron Man in the mix but in the original suit or maybe the second because it was a gold color.  There were no gadgets and just Hulk and Iron Man going toe-to-toe.  I don’t dislike the book in the slightest but it is probably my least favorite.

3 of 5 star rating




And now to my favorite book in the “series” and maybe my favorite Spider-Man story ever.  This is a beautifully written and illustrated story about how once a year Peter Parker/Spider-Man feels “blue” in his sadness.  It’s the day that the Green Goblin killed Gwen Stacy and Peter’s heart still has a void for the girl.  While rummaging through some things in the attic, he finds a tape recorder and begins to tell the story between defeating Norman Osbourne/Green Goblin and right before Gwen died.  This isn’t just some sappy kissing book but a very heartfelt telling about the details between the lines in the existing comics.  I won’t go into too much detail because I think it’s too good to spoil.

4 of 5 star rating




The bottom line is that these are some of the best books that Marvel has to offer.  Classic heroes in classic stories that hold up as if they were written last month.  These books are well-written and have beautiful artwork that makes them real page-turners.  I can highly recommend the Marvel Color books without hesitation.

5 of 5 star rating

Nostalgia Corner Presents: A Review of the Runaways, Vol. 1

Maybe it’s just me but I’m not in love in with Brian K. Vaughn’s latest series, Saga.  The surreal tale of a mother and a father on different sides of a galactic war fighting to be left alone and for their life of their child should be compelling but the book seems almost silly in its inclusion of gonzo sex scenes and bizarre twelve-breasted characters.  Brian K. Vaughn has done much better stuff such as Y: The Last Man, Ex Machina, and Runaways.

The story opens on six children, ranging in age from eleven to sixteen, who are keeping themselves company while their parents have their annual meeting about the charitable foundation they run.  When the six discover a secret passageway that leads them to the meeting room, they see their parents dressed in outlandish costumes making a human sacrifice of a young girl.  Stunned at what they see, they dig deeper into their parents’ secret lives discovering not only things about their felonious guardians but about themselves.  Hunted by their parents and just beginning to learn about their powers, they are also unaware that one of the six is actually a traitor.

This book does almost everything right.  Every character feels fully fleshed out, a difficult task when you have so many central characters (and both of each’s parents) and have to quickly introduce them all.  The series even finds time to plant seeds of stories that will be told in the next volume such as tipping Karolina Dean’s sexuality.  At only eighteen issues, the storytelling is tight and to the point but still manages to include different threats and subplots which keep you reading.  With the women outnumbering the men on the team 2:1, Runaways has also been praised for its strong central female characters.

The artwork is very clean and easy to follow.  The artist fully renders each character with no artistic shorthand but still in a cartoony enough way to pop on the page.  The colorists also deserve praise for their contribution, Brian Reber for the first twelve and Christina Strain for the last six.

With its quick wit, solid plot, beautiful art and heartwarming interpersonal relationships, Runaways creates a credible, interesting origin story for its characters.  Steeped in teenage angst and girl power, this book never comes off as trite or naïve due to the strength of the writing.  Much like Fables, it’s a book I enjoy and it’d also be on the top of my list to recommend to any female comics reader.

Final rating (out of 5):

Star 5



Writer:  Brian K. Vaughn
Artist: Adrian Alphona

A look back at Batman HUSH

This week, I went back and read one of my favorite batman stories ever: HUSH. It is written by Jeph Loeb and the art is by Jim Lee. Loeb has written a number of amazing stories like BATMAN: DARK VICTORY and LONG HALLOWEEN. HUSH is Lee’s first work with DC and it was definitely a success. You can pick up the trades or the individual issues are Batman #608-619 in 2002-2003.

It starts out with a prologue by Alfred Pennyworth, Bruce Wayne/Batman’s butler that reads like an origin story. It quickly moves to the main story where Batman is trying to rescue a young kid who has been kidnapped by Killer Croc. When he finally subdues Croc, the money is stolen by Catwoman but she isn’t working alone.

While Batman is in pursuit, his bat rope is cut mid-air and he falls into crime alley. His body is badly injured and skull is fractured. He taps his fingers and through morse code, Batman suggests Alfred gets in tough with Bruce’s childhood friend and renowned surgeon Tommy Elliot to save his life.


That’s about as deep into the story as I should go because I could easily sit here and go over every single detail but I don’t want to ruin it for people who have not read it before. HUSH is one of the most complex stories with a hefty cast of characters from Batman/Bruce’s past. Loeb explored the long history that the Batman universe has to offer and it is packed with “wow” moments in every issue. That being said, you don’t need to be a Batman junkie like me to follow the story. I’m not saying that it spoon-feeds everything to you but there isn’t an assumption that you are well versed in the Bat. Loeb makes sure to explain the intricacies without derailing the story and I dig that.

The art is… I have been a fan of Jim Lee since he hit the scene in Marvel’s X-men books and I was hooked. I even own the X-men series trading cards they released from the popular book. When I heard that he was going to do a story arc of Batman, I thought my head was going to explode. He puts so his much detail into his art and it does what good comic should do: bring the images to life. It isn’t just his Batman that I’m a fan of but almost all of his other characters as well. Of course being a Batman addict, I’m a big fan of his arch nemesis: The Joker. Lee’s Joker is as distorted as the character’s mind with a twisted face and pointy attributes.

So if you haven’t figured it out, I highly recommend getting out there and picking this up. It has superb wiring with excellent development for characters both the known and the obscure. Like I said, the artwork is detailed, sharp, clean and engaging. Lee’s Batman is now one of the fan favorite’s in both the costume and, specifically, the emblem. I can promise that this book will not disappoint. I have read HUSH countless times and I know I’ll read it again and again.